Combos

This Bundle contains our Medium, Landscape, Small and Tiny Sketchbook in the watercolor paper cover. 

• DIMENSIONS : 

Medium - 8.5" x 6.75"

Landscape - 8.5" x 5.5"

Small - 6.75" x 4.2"

Tiny - 4" x 3.5"

• Paperback cover with a deckled and hand-torn edges 

• 22 pages (44 sides) 

• Paper - 100% cotton, Indian handmade paper, cold press, 220gsm, Rough

Our sketchbooks are hand stitched, paperback and cloth bound suitable for watercolors and other water-based mediums.

Sketchbooks are saddle-stitched so that they can open flat for easy use. The papers have deckled edge and hand-torn edges to maintain a rustic look. This size fits perfectly in small purses, tote bags or backpacks for the traveling artist.

Each sketchbook comes packed in a free cotton bag which can be used to carry other art supplies too.

This combo contains our Medium, Landscape, Small and Tiny Sketchbook in the canvas cover. 

• DIMENSIONS : 

Medium - 8.5" x 6.75"

Landscape - 8.5" x 5.5"

Small - 6.75" x 4.2"

Tiny - 4" x 3.5"

• Paperback cover with a deckled and hand-torn edges 

• 22 pages (44 sides) 

• Paper - 100% cotton, Indian handmade paper, cold press, 220gsm, Rough

Our sketchbooks are hand stitched, paperback and cloth bound suitable for watercolors and other water-based mediums.

Sketchbooks are saddle-stitched so that they can open flat for easy use. The papers have deckled edge and hand-torn edges to maintain a rustic look. This size fits perfectly in small purses, tote bags or backpacks for the traveling artist.

Each sketchbook comes packed in a free cotton bag which can be used to carry other art supplies too.

This combo contains one Fall Feels Palette and one medium Sketchbook.

Autumn brings colors of change, mystery, comfort and new beginnings. We bring these same hues to your palette in our Fall Feels palette. We have eight colors in this range, including two brand new colors added to our range!

1. Turmeric Yellow Ochre - A staple in almost all artists' palettes, it is a warm, earthy, golden yellow with a large tonal range.
Pigment - PY42
LF - I, Opaque to transparent, non-granulating, non-staining

2. Hobbes - The first Orange in our line, it's named after one of my favourite fictional characters, Hobbes from Calvin & Hobbes. It's the perfect orange that mixes rich, earthy greens with Syahi Prussian Blue.
Pigment - PY83, PR112
LF - I, Semi-opaque, non-granulating, medium staining

3. Chinar Red - A warm, Venetian Red named after the flaming red Chinar trees of Kashmir. It is the perfect color for pink flesh tones. It has a large tonal range.
Pigment - PR101
LF - I, Opaque to transparent, medium granulating, non-staining

4. Acorn Glint - An intense red-brown mica paint, it is named after the shiny glint on autumn acorns. Moderately shimmering.
LF - I, Non-staining

5. Syahi Prussian Blue - "Syahi" means Ink in Hindi and this famous inky blue earns a permanent place in any palette. It is a stunning, deep cool blue with high tinting strength.
Pigment - PB27
LF- I, Transparent, non-granulating, staining

6. Maple - This color is reminiscent of the rich Burgundy color of maple leaves in fall. The granulation is just like the brown spot on maple leaves.
Pigment - PR122, PBr7
LF - I , Semi-opaque, granulating, staining 

7. Lamp black - Opaque and warm, this velvety black when mixed in moderation with high chroma colors can add depth to transparent color mixes.
Pigment - PBk6
LF - I , opaque, non-granulating, non-staining 

8. Copper - A classic pearlescent color, the name says it all.
LF - I, Non-staining

Each pan is magnetised. The paints come in their individual portable tin boxes. All tin boxes in our shop are shipped in upcycled, colorful cotton bags, which you can reuse in any manner you wish. Since the bags are upcycled, we can't promise everybody the same kind of bag.

It is natural for some paints to have cracked surfaces by their nature. However, we assure you, the cracks don't affect the performance of the paints.

SKETCHBOOK

• DIMENSIONS - 8.5" x 6.75"

• Paperback cover with a deckled and hand-torn edges 

• 22 pages (44 sides) 

• Paper - 100% cotton, Indian handmade paper, cold press, 220gsm, Rough

• Cloth cover - Upcycled, high-quality Indian fabric

Our sketchbooks are hand stitched, paperback and cloth bound suitable for watercolors and other water-based mediums.

Sketchbooks are saddle-stitched so that they can open flat for easy use. The papers have deckled edge and hand-torn edges to maintain a rustic look. This size is perfect for those of who love painting big. 

Each sketchbook comes packed in a free cotton bag which can be used to carry other art supplies too.

The combo contains the Mini Earths Palette and one Small watercolor journal.

This palette includes 6 half pans of beautiful earth colors sourced from Europe, all artist grade, made with pure pigments. Ready to meet the colours?

1. Havana Ochre - A deep, natural yellow pigment that has a golden brightness to it. This gorgeous natural earth pigment is mined in France. This is the perfect mixing yellow to give a soft, earthen quality to your colors. Mix with our Quin Gulaal or Quin Magenta to get the most gorgeous peach shades, to paint sunrises, sunsets or florals.
Pigment - PY43
Semi-transparent, slightly granulating, non-staining
Lightfastness - 8 = Very Lightfast

2. Rust Burnt Sienna - A brighter, redder cousin of our Mace Burnt Sienna, this is a rich earth pigment that is a traditional palette staple for every landscape. It mixes with other colors without losing its intensity or transparency. Mix with our Butterflypea Ultramarine blue to get dynamic shadow grays.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

3. Mitti Burnt Umber - A rich, dark brown resembling dark chocolate, made of mineral earth pigment from Italy. An absolute must have in any watercolor palette. It makes rich granulating blacks when mixed with ( ultramarine blue? _____) Dilute it to get an enticing span of colors and granulation.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

4. Bark Raw Umber - A natural, cool brown leaning slightly towards a greenish shade when compared to our warmer Mitti Burnt Umber. Perfect for cool shadows and for painting foliage in your florals. When mixed with Sap Green, it gives the mossiest, earthiest greens with a magical granulation.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

5. Gaia Green Earth - A delicate, granulating earth green that has been used by artists since antiquity
Pigment - PG23
Transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

6. Ultramarine Violet - A stunning matte purple ultramarine pigment that is reminiscent of many flowers like violets, irises, crocuses, etc. I love using this in the sky when I paint orange sunrises/sunsets. The soft pinkish purple complements the orange hues perfectly.
Pigment - PV15
Semi transparent, slightly granulating, non-staining
Lightfastness - 8 = Very Lightfast

It is natural for some paints to have cracked surfaces by their nature. However, we assure you, the cracks don't affect the performance of the paints.

Each pan is magnetised. The paints come in their individual portable tin boxes. All tin boxes in our shop are shipped in upcycled, colorful cotton bags, which you can reuse in any manner you wish. Since the bags are upcycled, we can't promise everybody the same kind of bag.

SMALL SKETCHBOOK

• DIMENSIONS - 6.75" x 4.2"
 
• Paperback cover with deckled and hand-torn edges 
 
• 22 pages (44 sides) 
 
• Paper - 100% cotton, Indian handmade paper, cold press, 220gsm, Rough
 
• Cloth cover - Upcycled, high-quality Indian fabric
 
Our sketchbooks are hand stitched, paperback and cloth bound suitable for watercolors and other water-based mediums.
 

Sketchbooks are saddle-stitched so that they can open flat for easy use. The papers have deckled edge and hand-torn edges to maintain a rustic look. This size fits perfectly in small purses, tote bags or backpacks for the traveling artist.

This combo contains one Complete Earths palette and one medium Sketchbook.

This palette brings together a wide range of colors, from ochres to umbers, paired with ultramarines that mimic earth tones.

Turmeric Yellow Ochre - A staple in almost all artists' palettes, it is a warm, earthy, golden yellow with a large tonal range.

Pigment - PY42

Opaque to transparent, non-granulating, non-staining

Lightfastness - 8 = Very Lightfast


Nutmeg Raw Sienna - A gentle earth yellow which is special because it doesn't make greens when mixed with blues. Perfect color for a warm glowing sky.

Pigment - PBr7

Semi opaque, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Havana Ochre - A deep, natural yellow pigment that has a golden brightness to it. This gorgeous natural earth pigment is mined in France. This is the perfect mixing yellow to give a soft, earthen quality to your colors. Mix with our Quin Gulaal or Quin Magenta to get the most gorgeous peach shades, to paint sunrises, sunsets or florals.
Pigment - PY43
Semi-transparent, slightly granulating, non-staining
Lightfastness - 8 = Very Lightfast

Cinnamon Mars Orange - A warm earthy orange perfect for landscapes, plant pots and urban sketching. It has a large tonal range.

Pigment - PR101

Opaque to transparent, minimal granulation, non-staining
Lightfastness - 8 = Very Lightfast

Rust Burnt Sienna - A brighter, redder cousin of our Mace Burnt Sienna, this is a rich earth pigment that is a traditional palette staple for every landscape. It mixes with other colors without losing its intensity or transparency. Mix with our Butterflypea Ultramarine blue to get dynamic shadow grays.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Mace Burnt Sienna - The most useful warm earthy orange with superb granulation, it demands a permanent place in artists' palettes. Mix the famous Jane's Grey with our Butterflypea Ultramarine.

Pigment - PBr7

Semi opaque, medium granulating, non-staining
Lightfastness - 8 = Very Lightfast

Chinar Red - A warm, Venetian Red named after the flaming red Chinar trees of Kashmir. It is the perfect color for pink flesh tones. It has a large tonal range.

Pigment - PR101

Opaque to transparent, medium granulating, non-staining
Lightfastness - 8 = Very Lightfast

Indian Red Chilli - A cool, dusky, earth red, it is the perfect color for pink flesh tones. It has a large tonal range.

Pigment - PR101

Opaque to transparent, medium granulating, non-staining

Lightfastness - 8 = Very Lightfast

Staranise Caput Mortem - A classic purple-brown with a cool pink undertone, this is a rich color with a large tonal range.

Pigment - PR101

Opaque to transparent, minimal granulation, non-staining
Lightfastness - 8 = Very Lightfast

Mitti Burnt Umber - A rich, dark brown resembling dark chocolate, made of mineral earth pigment from Italy. An absolute must have in any watercolor palette. It makes rich granulating blacks when mixed with ( ultramarine blue? _____) Dilute it to get an enticing span of colors and granulation.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Bark Raw Umber - A natural, cool brown leaning slightly towards a greenish shade when compared to our warmer Mitti Burnt Umber. Perfect for cool shadows and for painting foliage in your florals. When mixed with Sap Green, it gives the mossiest, earthiest greens with a magical granulation.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Dark Clove Hematite - My absolute favourite brown with a dark value, it granulates with the most beautiful texture. It has found a permanent place in my palette.

Pigment - PBr7

Semi transparent, heavily granulating, non-staining
Lightfastness - 8 = Very Lightfast

Giai Green Earth - A delicate, granulating earth green that has been used by artists since antiquity
Pigment - PG23
Transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Butterfly Pea Ultramarine - A staple in almost all artists' palettes, our Ultramarine blue leans towards a cooler side. It has a large tonal range.

Pigment - PB29

Semi-transparent, slight granulating, non-staining
Lightfastness - 8 = Very Lightfast

Ultramarine Voilet - A stunning matte purple ultramarine pigment that is reminiscent of many flowers like violets, irises, crocuses, etc. I love using this in the sky when I paint orange sunrises/sunsets. The soft pinkish purple complements the orange hues perfectly.
Pigment - PV15
Semi transparent, slightly granulating, non-staining
Lightfastness - 8 = Very Lightfast

Each pan is magnetised. The paints come in their individual portable tin boxes. All tin boxes in our shop are shipped in upcycled, colorful cotton bags, which you can reuse in any manner you wish. Since the bags are upcycled, we can't promise everybody the same kind of bag.

It is natural for some paints to have cracked surfaces by their nature. However, we assure you, the cracks don't affect the performance of the paints.

SKETCHBOOK

• DIMENSIONS - 8.5" x 6.75"

• Paperback cover with a deckled and hand-torn edges 

• 22 pages (44 sides) 

• Paper - 100% cotton, Indian handmade paper, cold press, 220gsm, Rough

• Cloth cover - Upcycled, high-quality Indian fabric

Our sketchbooks are hand stitched, paperback and cloth bound suitable for watercolors and other water-based mediums.

Sketchbooks are saddle-stitched so that they can open flat for easy use. The papers have deckled edge and hand-torn edges to maintain a rustic look. This size fits perfectly in small purses, tote bags or backpacks for the traveling artist.

Each sketchbook comes packed in a free cotton bag which can be used to carry other art supplies too.

This combo contains one Complete Earths palette and one medium Sketchbook.

This palette brings together a wide range of colors, from ochres to umbers, paired with ultramarines that mimic earth tones.

Turmeric Yellow Ochre - A staple in almost all artists' palettes, it is a warm, earthy, golden yellow with a large tonal range.

Pigment - PY42

Opaque to transparent, non-granulating, non-staining

Lightfastness - 8 = Very Lightfast


Nutmeg Raw Sienna - A gentle earth yellow which is special because it doesn't make greens when mixed with blues. Perfect color for a warm glowing sky.

Pigment - PBr7

Semi opaque, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Havana Ochre - A deep, natural yellow pigment that has a golden brightness to it. This gorgeous natural earth pigment is mined in France. This is the perfect mixing yellow to give a soft, earthen quality to your colors. Mix with our Quin Gulaal or Quin Magenta to get the most gorgeous peach shades, to paint sunrises, sunsets or florals.
Pigment - PY43
Semi-transparent, slightly granulating, non-staining
Lightfastness - 8 = Very Lightfast

Cinnamon Mars Orange - A warm earthy orange perfect for landscapes, plant pots and urban sketching. It has a large tonal range.

Pigment - PR101

Opaque to transparent, minimal granulation, non-staining
Lightfastness - 8 = Very Lightfast

Rust Burnt Sienna - A brighter, redder cousin of our Mace Burnt Sienna, this is a rich earth pigment that is a traditional palette staple for every landscape. It mixes with other colors without losing its intensity or transparency. Mix with our Butterflypea Ultramarine blue to get dynamic shadow grays.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Mace Burnt Sienna - The most useful warm earthy orange with superb granulation, it demands a permanent place in artists' palettes. Mix the famous Jane's Grey with our Butterflypea Ultramarine.

Pigment - PBr7

Semi opaque, medium granulating, non-staining
Lightfastness - 8 = Very Lightfast

Chinar Red - A warm, Venetian Red named after the flaming red Chinar trees of Kashmir. It is the perfect color for pink flesh tones. It has a large tonal range.

Pigment - PR101

Opaque to transparent, medium granulating, non-staining
Lightfastness - 8 = Very Lightfast

Indian Red Chilli - A cool, dusky, earth red, it is the perfect color for pink flesh tones. It has a large tonal range.

Pigment - PR101

Opaque to transparent, medium granulating, non-staining

Lightfastness - 8 = Very Lightfast

Staranise Caput Mortem - A classic purple-brown with a cool pink undertone, this is a rich color with a large tonal range.

Pigment - PR101

Opaque to transparent, minimal granulation, non-staining
Lightfastness - 8 = Very Lightfast

Mitti Burnt Umber - A rich, dark brown resembling dark chocolate, made of mineral earth pigment from Italy. An absolute must have in any watercolor palette. It makes rich granulating blacks when mixed with ( ultramarine blue? _____) Dilute it to get an enticing span of colors and granulation.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Bark Raw Umber - A natural, cool brown leaning slightly towards a greenish shade when compared to our warmer Mitti Burnt Umber. Perfect for cool shadows and for painting foliage in your florals. When mixed with Sap Green, it gives the mossiest, earthiest greens with a magical granulation.
Pigment - PBr7
Semi-transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Dark Clove Hematite - My absolute favourite brown with a dark value, it granulates with the most beautiful texture. It has found a permanent place in my palette.

Pigment - PBr7

Semi transparent, heavily granulating, non-staining
Lightfastness - 8 = Very Lightfast

Giai Green Earth - A delicate, granulating earth green that has been used by artists since antiquity
Pigment - PG23
Transparent, granulating, non-staining
Lightfastness - 8 = Very Lightfast

Butterfly Pea Ultramarine - A staple in almost all artists' palettes, our Ultramarine blue leans towards a cooler side. It has a large tonal range.

Pigment - PB29

Semi-transparent, slight granulating, non-staining
Lightfastness - 8 = Very Lightfast

Ultramarine Voilet - A stunning matte purple ultramarine pigment that is reminiscent of many flowers like violets, irises, crocuses, etc. I love using this in the sky when I paint orange sunrises/sunsets. The soft pinkish purple complements the orange hues perfectly.
Pigment - PV15
Semi transparent, slightly granulating, non-staining
Lightfastness - 8 = Very Lightfast

Each pan is magnetised. The paints come in their individual portable tin boxes. All tin boxes in our shop are shipped in upcycled, colorful cotton bags, which you can reuse in any manner you wish. Since the bags are upcycled, we can't promise everybody the same kind of bag.

It is natural for some paints to have cracked surfaces by their nature. However, we assure you, the cracks don't affect the performance of the paints.

SKETCHBOOK

• DIMENSIONS - 8.5" x 5.5"

• Paperback cover with deckled and hand-torn edges 

• 22 pages (44 sides) 

• Paper - 100% cotton, Indian handmade paper, cold press, 220gsm, Rough

• Cloth cover - Upcycled, high-quality Indian fabric

Our sketchbooks are hand stitched, paperback and cloth bound suitable for watercolors and other water-based mediums.

Sketchbooks are saddle-stitched so that they can open flat for easy use. The papers have deckled edge and hand-torn edges to maintain a rustic look. This size fits perfectly in small purses, tote bags or backpacks for the traveling artist.

Each sketchbook comes packed in a free cotton bag which can be used to carry other art supplies too.