[Pre Order] THE COMPLETE PALETTE
Lemon Yellow - The perfect cool yellow offering a lot of control, use this gorgeous yellow to mix bright, tropical greens.
Pigment - PY3
Semi-Transparent, Non-Granulating, Low- Staining
Lightfastness - 7 = Lightfast
Alphonso Yellow - The perfect warm yellow in any palette, this is an indispensable color in mixing natural greens and peach tones with the Quin Gulaal. This color reminds me of my favourite Alphonso mangoes in India.
Pigment - PY83
Semi-Transparent, Non-Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Hobbes Orange - The first Orange in our line, it's named after one of my favourite fictional characters, Hobbes from Calvin & Hobbes. It's the perfect orange that mixes rich, earthy greens with Syahi Prussian Blue.
Pigment - PY83, PR112
Semi-Opaque, Non-Granulating, Medium Staining
Lightfastness - 8 = Very Lightfast
Soft Coral - A fresh and invigorating color, this creamy pastel can effortlessly go transparent to create soft luminous florals or warm, sunset tints in skies.
Pigment - PV19, PY42, PW6
Non-Granulating, Opaque-to-Transparent, Non-Staining
Lightfastness - 8 = Very Lightfast
Sunset Peach - A warm salmon color perfect for the peachy warmth in sunset skies.
Pigment - PR112, PY42, PW6
Opaque to Translucent, Non-Granulating, Semi-Staining
Lightfastness - 7 = Lightfast
Scarlet Ibis - This warm red is the perfect addition to any palette with high tinting strength.
Pigment - PR112
Transparent, Non-Granulating, Staining
Lightfastness - 7 = Lightfast
Sanguine Scarlet - Otherwise known as Permanent Red, this is a stunning deep red leaning towards the cooler side. The perfect addition for your floral works.
Pigment - PR170
Semi-Transparent, Staining, Non-Granulation
Lightfastness - 8 = Very Lightfast
Morticia’s Lips - Named after one of my favourite Addams Family characters, this is a cool red which dilutes to a soft, clear pink.
Pigment - PR210
Semi-Transparent, Staining, Non-Granulating
Lightfastness - 7 = Lightfast
Poinsettia Red - This deep, rich red granulates beautifully, with the red floating and the brown granulation settling down. Mix it with Light Olive to make rich browns.
Pigment - PR112, PR101
Semi Transparent, Granulating, Slightly Staining
Lightfastness - 8 = Very Lightfast
Valentine - The name says it all. It' the perfect pastel pink of Valentine!
Pigment - PV19, PW6
Opaque to translucent, non-granulating, non-staining
Lightfastness - 8 = Very Lightfast
Quin Gulaal - Gulaal is a beautiful warm rose color in Indian culture. Our Quinacridone Rose is the perfect rose color with just the right amount of warmth in it. It's a highly important mixing cool red in many artist's palettes.
Pigment - PV19
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Rose Kiss - This beauty can go as dark as a vibrant rose and as delicate as a cheek blushing under a kiss. The perfect color for soft florals and soft sunrise skies.
Pigment - PV19, PY42
Semi-Transparent, Lightly Staining, Non-Granulating
Lightfastness - 8 = Very Lightfast
Quin Magenta - This gorgeous transparent pink is the cooler sister to our warm Quin. Gulaal. Extremely lightfast, use this to create your landscape skies or soft florals. Quin. Magenta has a large tonal range.
Pigment - PR122
Transparent, Staining, Non-Granulating
Lightfastness - 8 = Very Lightfast
Rosamarine - A vivacious blend of pigments, the Ultramarine blue settles and the Quinacridone Rose floats. This interesting effect can be used in many delightful ways!
Pigment - PV19, PB29
Transparent, Granulating, Medium Staining
Lightfastness - 8 = Very Lightfast
Maple - This color is reminiscent of the rich Burgundy color of maple leaves in fall. The granulation is just like the brown spot on maple leaves.
Pigment - PR122, PBr7
Semi-Opaque, Granulating, Staining
Lightfastness - 7 = Lightfast
Dust Mauve - A pale purple color with a lovely warmth to it.
Pigment - PR112, PB15, PW6
Opaque to Translucent, Non-Granulating, Medium-Staining
Lightfastness - 7 = Lightfast
Ultramarine Violet - A stunning matte purple ultramarine pigment that is reminiscent of many flowers like violets, irises, crocuses, etc. I love using this in the sky when I paint orange sunrises/sunsets. The soft pinkish purple complements the orange hues perfectly.
Pigment - PV15
Semi-Transparent, Slight Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Cloud Purple - A muted pastel purple that speaks of sunset cloud shadows.
Pigment - PV23, PR112, PW6
Opaque to Translucent, Non-Granulating, Medium-Staining
Lightfastness - 8 = Very Lightfast
Lady Murasaki - A deep purple with a unique blend of pigments, the Ultramarine blue settles and the Quinacridone Rose floats. This interesting effect can be used in many delightful ways!
Pigment - PV19, PB29
Transparent, Granulating, Medium Staining
Lightfastness - 8 = Very Lightfast
Dioxazine Jamun - A black-deep purple at full strength, tint this color out to clear purples This color is the perfect secondary purple. Great for monochrome works.
Pigment - PV23
Semi Transparent, Non-Granulating, Highly Staining
Lightfastness - 8 = Very Lightfast
Eggplant Purple - A deep glowing purple make with two unusual pigments. Use this as a neutral for your shadows or to paint monochrome masterpieces.
Pigment - PV19, PG7
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Velvet Sky - A beautifully soft lavender-blue for that leftover, soft blue you see when the sun has already set. I can't quite describe the loveliness of this color; it is my favourite shade from this set.
Pigment - PB29, PW6
Opaque to Translucent, Lightly-Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Cobalt Blue - A soft, powdery, non-staining blue that is immensely useful as a mixing colour. A blue that speaks of spring skies, it is an essential blue on many artists' palettes.
Pigment - PB29
Semi-Transparent, Lightly Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Cerulean Sky - A soft, greenish-blue that has the most delightful granulation! Use it in your skies to get a lovely texture that amplifies the mood in your paintings.
Pigment - PB3
Semi-Transparent, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Ercolano Blue - An unusual pigment in bright sky blue, this astonishing colour creates the clearest skies, lakes, and oceans. This is a colour that is not usually offered by handmade paintmakers but I found this shade irresistibly beautiful.
Semi-Transparent, Slightly Granulating, Non-Staining
Lightfastness - 7 = Lightfast
Butterfly Pea Ultramarine - A staple in almost all artists' palettes, our Ultramarine blue leans towards a cooler side. It has a large tonal range.
Pigment - PB29
Semi-Transparent, Slight Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Sky Blue - The colour of a warm, sunny sky!
Pigment - PB15, PW6
Opaque to Translucent, Non-Granulating, Semi-Staining
Lightfastness - 8 = Very Lightfast
Blue Pine Blue (Phthalo blue GS) - This blue is a stunning, deep-valued, transparent green-blue which leans towards a cooler side. It has high tinting strength and is highly staining. Mix a wide variety of fresh purples and intense greens with this colour.
Pigment - PB 15:3
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Indus Blue (Phthalo blue RS) - This blue is a stunning, deep-valued, transparent mid-blue which leans towards a warmer side. It has high tinting strength and is highly staining.
Pigment - PB 15:0
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Syahi Prussian Blue - "Syahi" means Ink in Hindi and this famous inky blue earns a permanent place in any palette. It is a stunning, deep cool blue with high tinting strength.
Pigment - PB297
Transparent, Non-Granulating, Staining
Lightfastness - 7 = Lightfast
Indigo Fera - Made with natural pigment extracted from Indigo plants from India, this is a timeless neutral.
Pigment - NB1
Semi-Transparent, Non-Granulating, Staining
Lightfastness - 7 = Lightfast
Trupti's Indigo - A signature blend by our Founder, this deep, inky yet vibrant blue is the perfect night sky colour. It is also a great neutral on your palette. Use it by itself in its pure glory or use it to darken your color mixes.
Pigment - PB 15:0, PV19, PBk6
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Old Jeans - A warm, neutral, gently granulating blue that reminds you of your favourite pair of blue jeans.
Pigment - PB29, PBr7
Semi-Transparent, Lightly Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Cobalt Teal - An extraordinarily beautiful teal colour with stunning granulation, that is reminiscent of the patina on a copper plate. This colour is a must-have for sunny alpine lakes, Mediterranean seas or colourful coral reefs.
Pigment - PB50
Semi-Transparent, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Phthalo Turquoise - A stunning, deep-valued, transparent turquoise which leans towards a cooler side. It has high tinting strength and is highly staining. Paint magical seascapes with this.
Pigment - PB 15, PG7
Transparent, Non-granulating, Staining
Lightfastness - 8 = Very Lightfast
Ocean Teal - Ah one of my favourite colors! A deep, ocean turquoise that leans on the greener side that looks like bejeweled ocean or deep lake waters.
Pigment - PB15, PG7, PW6
Opaque to Translucent, Non-Granulating, Semi-Staining
Lightfastness - 8 = Very Lightfast
Berylmarine Turquoise - Extraordinarily beautiful turquoise that leans towards green. This Ultramarine blue granulates out while the green floats.
Pigment - PB29, PG7
Transparent, Granulating, Medium Staining
Lightfastness - 8 = Very Lightfast
Alpine Lake Green - This vivacious teal-green is unlike anything else we've made. In wet washes, you'll find the blue delightfully separate from the yellow to create a dynamic interest element in your paintings, whether they be landscapes or abstracts or florals. This mid-range green is reminiscent of a still alpine lake that is so clear that you can see the rocks glimmer underneath it.
Pigments - PB15:3, PBr7
Transparent to Semi Transparent, Granulating, Staining
Lightfastness - 8 = Very Lightfast
Giai Green Earth - A delicate, granulating earth green that has been used by artists since antiquity
Pigment - PG23
Transparent, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Sage Green - An earthy pastel green which is perfect to add a boho softness to your foliage, unlike other greens which can be quite powerful. An excellent addition to your collection of greens
Pigment - PY42, PB15, PW6
Non-Granulating, Opaque-to-Transparent, Non-Staining
Lightfastness - 8 = Very Lightfast
New Leaf - The color of new birth, this is a glowing yellow-green color of new leaves budding into life.
Pigment - PY3, PG7
Semi-Opaque, Non-Granulating, Medium Staining
Lightfastness - 7 = Lightfast
Moss Green - Inspired by richness of a variety of moss that covers the floors of the Western Ghats, this natural green is a lovely add to your palette.
Pigment - PG7, PY83
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Sap Green - An absolute must have on any landscape artist's palette, this is our take on the beloved natural green that is irreplaceable. Warm, rich, luxuriant and sappy, it belongs on your palette.
Pigment - PG7, PY83
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Paddy Green - In Monsoons, the fields of villages nestled in the Western Ghats flame up in eye-catching green. This granulating color is inspired by that vision, with the blue settling and separating, much like the water that feeds the paddy fields.
Pigment - PY74, PB29
Transparent to Semi Transparent, Granulating, Staining
Lightfastness - 8 = Very Lightfast
Deodar Green - Named after the towering Deodar trees of the Himalayas, this cool green is an absolutely essential mixing color.
Pigment - PG7
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Fern Green - Inspired by the many tall ferns that adorn the jungles of Western Ghats, this is a granulating natural green.
Pigment - PG7, PR101
Transparent to Semi Transparent, Slightly Granulating, Staining
Lightfastness - 8 = Very Lightfast
Mango Leaf Green - The deep green of Mango Leaves in our culture are a symbol of prosperity. They're used in auspicious occasions and herald in good tidings. We hope this deep, granulating green does the same for your art.
Pigment - PG7, PR101
Transparent to Semi Transparent, Slightly Granulating, Staining
Lightfastness - 8 = Very Lightfast
Imperial Jade - Inspired by the mystical Jade gemstone that is a symbol of purity, deep spirituality and good health, this deep green is excellent for shadows.
Pigments - PG7, PR101
Transparent to Semi Transparent, Granulating, Staining
Lightfastness - 8 = Very Lightfast
Nebula Green - This intensely granulating green is reminiscent of the cosmic dust that makes planets and galaxies. Use this for dramatic shadows and washes in your paintings
Pigments - PG7, PBr7
Transparent to Semi Transparent, Granulating, Staining
Lightfastness - 8 = Very Lightfast
Forest Green - A new take on one of our most popular colors, this is a rich, deep green inspired by the shadows of Monsoon jungles. Think of this as a greenish neutral color on your palette, akin to Pyrelene Green.
Pigments - PG7, PBk7
Transparent to Semi Transparent, Granulating, Staining
Lightfastness - 8 = Very Lightfast
Henna Green - A highly granulating color, this color is inspired by the fragrant henna leaves that are grounded into a paste and applied to people's hands which leaves a warm orangish-red dye on the skin. The blue settles out of the warm yellowish green that gives your paintings texture and interest.
Pigment - PY83, PB29
Transparent to Semi Transparent, Granulating, Staining
Lightfastness - 8 = Very Lightfast
Light Olive - An opaque-to-transparent green use it to paint vintage rose leaves to late summer foliage.
Pigment - PB27, PY42
Opaque to Transparent, Non-Staining, Non-Granulating
Lightfastness - 8 = Very Lightfast
Warm Greige - A perfect combination of grey and beige, this greige is reminiscent of dried pampas grass, dried fern and otherwise desiccated flowers from your past.
Pigment - PY42, PBK7, PW6
Opaque-to-Transparent, Non-granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Evening Glow - A warm, glowing pastel akin to Naples Yellow.
Pigment - PY42, PW6
Opaque to Translucent, Non-Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Turmeric Yellow Ochre - A staple in almost all artists' palettes, it is a warm, earthy, golden yellow with a large tonal range.
Pigment - PY42
Opaque to Transparent, Non-Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Nutmeg Raw Sienna - A gentle earth yellow which is special because it doesn't make greens when mixed with blues. Perfect color for a warm glowing sky.
Pigment - PBr7
Semi Opaque, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Havana Ochre - A deep, natural yellow pigment that has a golden brightness to it. This gorgeous natural earth pigment is mined in France. This is the perfect mixing yellow to give a soft, earthen quality to your colors. Mix with our Quin Gulaal or Quin Magenta to get the most gorgeous peach shades, to paint sunrises, sunsets or florals.
Pigment - PY43
Semi-Transparent, Slightly Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Cinnamon Mars Orange - A warm earthy orange perfect for landscapes, plant pots and urban sketching. It has a large tonal range.
Pigment - PR101
Opaque to Transparent, Minimal Granulation, Non-Staining
Lightfastness - 8 = Very Lightfast
Rust Burnt Sienna - A brighter, redder cousin of our Mace Burnt Sienna, this is a rich earth pigment that is a traditional palette staple for every landscape. It mixes with other colors without losing its intensity or transparency. Mix with our Butterflypea Ultramarine blue to get dynamic shadow grays.
Pigment - PBr7
Semi-Transparent, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Burnt Orange - A granulating orange where the orange floats and the brown settles to give you beautiful textures. Perfect for painting textured autumn foliage to vibrant buildings in cityscapes.
Pigment - PY83, PBr7
Transparent, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Muted Sienna - A warm, inviting yet rich hue, the pastel earthiness of this brings an old-world vintage vibe to your paintings, especially in florals. Combine it with a hint of our Roycroft Bronze to create deeper browns or use it just as it is for muted florals.
Pigment - PR101, PW6
Non-Granulating, Opaque-to-Transparent, Non-Staining
Lightfastness - 8 = Very Lightfast
Mace Burnt Sienna - The most useful warm earthy orange with superb granulation, it demands a permanent place in artists' palettes. Mix the famous Jane's Grey with our Butterflypea Ultramarine.
Pigment - PBr7
Semi Opaque, Medium Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Chinar Red - A warm, Venetian Red named after the flaming red Chinar trees of Kashmir. It is the perfect color for pink flesh tones. It has a large tonal range.
Pigment - PR101
Opaque to Transparent, Medium Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Indian Red Chilli - A cool, dusky, earth red, it is the perfect color for pink flesh tones. It has a large tonal range.
Pigment - PR101
Opaque to Transparent, Medium Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Staranise Caput Mortem - A classic purple-brown with a cool pink undertone, this is a rich color with a large tonal range.
Pigment - PR101
Opaque to Transparent, Minimal Granulation, Non-Staining
Lightfastness - 8 = Very Lightfast
Mitti Burnt Umber - A rich, dark brown resembling dark chocolate, made of mineral earth pigment from Italy. An absolute must have in any watercolor palette. It makes rich granulating blacks when mixed with ultramarine blue. Dilute it to get an enticing span of colors and granulation.
Pigment - PBr7
Semi-Transparent, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Bark Raw Umber - A natural, cool brown leaning slightly towards a greenish shade when compared to our warmer Mitti Burnt Umber. Perfect for cool shadows and for painting foliage in your florals. When mixed with Sap Green, it gives the mossiest, earthiest greens with a magical granulation.
Pigment - PBr7
Semi-Transparent, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Dark Clove Hematite - My absolute favourite brown with a dark value, it granulates with the most beautiful texture. It has found a permanent place in my palette.
Pigment - PBr7
Semi Transparent, Heavily Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Slate Grey - A beautiful cool pastel grey, mix it with Rose Kiss to get the loveliest mauve shade. Try it!
Pigment - PBk 11, PW6
Opaque to transparent, Non-Granulating, Non-staining
Lightfastness - 8 = Very Lightfast
Roycroft Bronze - A purely synchronistic match with the famed shade from Sherwin-Williams, this deep, dark brownish-green almost tends towards black in mass tones, and a lovely deep olive in transparent layers. Perfect to add unusual foliage to your florals and landscapes
Pigment - PY43, PBK6, PW6
Opaque-to-Transparent, Non-granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Storm Blue - A heavily granulating moody blue that makes for dramatic skies.
Pigment - PB29, PR101
Semi-Transparent, Granulating, Non-staining
Lightfastness - 8 = Very Lightfast
Trupti's Grey - Named after our founder's favourite grey, it is our home blend of perfectly balanced pigments to give a deep grey with blue undertones. It's the perfect colour for monochrome works because of its extraordinary tinting strength.
Pigment - PB 15, PV19, PBk6
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Trupti's Grey II - This greenish-tinted grey is rather difficult to describe. Made with two unusual pigments, it gives a rich neutral with breathtaking visual effects. The shade changes in colour from wet to dry, making it shift colour. The pink and green hues separate to create astonishing effects on the paper, although this is not granulation. It's an entirely unique colour that isn't available anywhere.
Pigment - PV19, PG7
Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Living Shadow - A classic neutral made by mixing Ultramarine Blue and Burnt Sienna, I named it Living Shadow because it comes alive on paper with high granulation. It is a warm grey with ultramarine blue granulating heavily, which makes it simultaneously warm and cool. A must-have on a landscape artist's palette.
Pigment - PB29, PBr7
Transparent, Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Ash Grey - A deep yet warm ashen grey that granulates beautifully, where the blue floats and speckles of terracotta settle down. It's the perfect warm neutral for your palette.
Pigment - PB15:0, PR101
Transparent, Granulating, Slightly Staining
Lightfastness - 8 = Very Lightfast
Titanium White - Create pastel shades with this heavy pigment, creamy white. Use it in a thick consistency to paint white highlights or water it down to semi-opaqueness to create fog.
Pigment - PW6
Semi-Opaque, Non-Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Mars Black Pepper - A stunning black that granulates with a beige undertone. Use it to paint textured grey metal or mix it with other dark-values colours to add dark granulation to that paint.
Pigment - PBk11
Opaque to Transparent, Heavily Granulating, Non-Staining
Lightfastness - 8 = Very Lightfast
Raven - Opaque and warm, this velvety black when mixed in moderation with high chroma colours can add depth to transparent colour mixes.
Pigment - PBk6
Opaque-to-Transparent, Non-Granulating, Staining
Lightfastness - 8 = Very Lightfast
Gilded leaf - A duochrome pigment flitting between a subtle green and gold on white paper. It looks solid gold on black surfaces.
Sunspear - the most beautiful gold mica colour inspired by the stunning gold details in Rajasthani miniature paintings. Add a royal touch to your artworks with this.
Kuber's Gold - Named after the demi-God treasurer of Gods in our Hindu culture, this gold is brighter and glitters more than our famous Sunspear gold. It is also warmer. It has a saturation and richness that can only be felt when you really paint with it.
Rich Gold - Reminiscent of renaissance painting frames, this rich gold can add a heavy gilding to your florals or add a delicate, transparent shimmer to anything you desire.
Stardust - Touch this and it literally feels like touching stardust. The particle size is big and you get a gorgeous silvery shimmer of a snowy night. Add it to a base paint and watch the magic.
Dewdrop - A muted silver glimmer, leans towards a bluish silver look. The particle size is larger, perfect for adding a subtle shimmer to other base colors.
Jiji - Named after our sweet black cat, Jiji, this glimmering dark grey colour is so beautiful!
Lunar Silk - This is a deep metallic silver that is quite different from whitish silver. It's a deep black-ish antique silver that has a high sheen and reflects light brilliantly.
Copper - A classic pearlescent color.
Amber Glint - A brilliant bronze-gold, this is an orangish gold that has a high glitter effect. It really pops off the paper, making it ideal for luxe effects in your artwork.
Acorn Glint - An intense red-brown mica paint, it is named after the shiny glint on autumn acorns.
Holly Red - A fiery red reminiscent of the glint of holly berries.
Hibiscus - A beautiful deep pink shimmer, like a lovely eyeshadow.
Rose Doré - One of my favourite duochrome pigment that dances between a subtle gold and a shimmery classy rose, depending on how you hold it to light on white paper. On black, it reveals its rose side.
Satsuki - A special interference paint named after my sweet kitten, Satsuki, Haku's sister. Adds a shimmery pink magic to any colored surface.
Papillon - Reminiscent of the iridescent wings of butterflies, this duochrome pigments shows both pink and blue.
Orchid Glow - A special interference paint reminding us of the gorgeous purple orchids.
Haku - A special interference paint named after my sweet kitten, Haku. Adds a shimmery blue glint to any colored surface, like the blue of beetle wings.
Shadow Blue - A beautiful duochrome that dances between a subtle shadow color on white paper and an electric blue on colored surfaces.
Atlantis - One of my favourite duochrome pigment flitting between a brilliant turquoise on white paper and gold on colored surfaces.
Mistletoe - A stunning interference paint to add magic to your illustrations.
Seaglass - Reminiscent of the ocean treasures, this duochrome pigment shows both blue and green.
Made for the most passionate watercolor lover, this palette contains all 101 half pans from our range of handmade watercolors.
Each colour is rich and saturated with a large tonal range, giving you a creamy load of paint at the slightest touch of the brush. And every colour on this palette mixes with the others to give you every landscape colour you’ll ever need.
You’ll get a free tin box with every purchase of this watercolour set!
It is natural for some paints to have cracked surfaces by their nature. However, we assure you, that the cracks don't affect the performance of the paints.
Each pan is magnetised. The paints come in their individual portable tin boxes. All tin boxes in our shop are shipped in upcycled, colourful cotton bags, which you can reuse in any manner you wish. Since the bags are upcycled, we can't promise everybody the same kind of bag.
Please give us four weeks time to make and ship these paints.
- Pure pigments
- Honey-based gum arabic binder
- Natural fungicides like Clove & Rosemary oil
To cleanly unwrap our paints, pop them in the freezer for 15 mins since some of them might have turned sticky in transit (this is natural as the heat during transport might activate the honey in the paints.)
Once they’ve frozen for a bit, it’ll be easy to peel off the wrapper without any paint sticking to it.
For the BESTEST, creamiest experience of our luxury watercolors, mist the pans with water, and let it sit for a minute or two before you paint with them. This will give you the highest color payoff at the lightest touch of your brush.
When you’re done, please air dry our paints and store them in a dry area with your palette lid open. Dark, damp conditions and humid weather might encourage mold growth on the paints because of local mold spores, not because of any impurity in the paints.
It is natural for some paints to have cracked surfaces by their nature. However, we assure you, the cracks don't affect the performance of the paints.
This is going to sound wild. But once you receive our handmade watercolors, put them in your freezer. This will help solidify your paints if they’ve gotten activated and become slightly sticky during transit (this is natural because there is a lot of heat during transport and it might activate the honey in the paints.)
Each paint pan is magnetized to stick firmly in metal palettes.
Got Questions?
Scroll down to the FAQs below. If you've got more questions, email us at shop@bluepinearts.com.
![blue-pine-arts-premium-art-supplies-handmade-artisanal-watercolor-paints-professional-watercolors-handcrafted-single-pans73.jpg](http://bluepinearts.com/cdn/shop/files/blue-pine-arts-premium-art-supplies-handmade-artisanal-watercolor-paints-professional-watercolors-handcrafted-single-pans73.jpg?crop=center&height=1620&v=1713338255&width=1080)
Why do our handmade paints stand out and last longer?
We load our paints with costly ingredients like lightfast pigments and a honey-based binder, layering them over weeks to maximize vibrancy and longevity.Each paint pan is a pigment powerhouse - you literally get the highest amount of pigment possible.
![](http://bluepinearts.com/cdn/shop/files/blue-pine-arts-premium-art-supplies-handmade-artisanal-watercolor-paints-professional-watercolors-handcrafted-testimonial-24.png?crop=center&height=1080&v=1715332723&width=1920)
- You May Also Like
- Recently viewed